![]() This actually suited me, as I don’t have my copy of Swift 3D here in Hungary with me, so I couldn’t have created something very three dimensional anyway (although if I had had Swift 3D my finished BSB ident would have been much nicer). What was now in vogue was creating lots of soft fluttery layers of images on top of each other with subtle lighting changes. ![]() ![]() That meant that by the time BSB came along just seven years later that sort of thing was all old hat. I still had no audio too, but I decided I’d start creating an ident anyway and hope for the best.Īfter Channel 4 burst onto the scene in 1982 with its famous CGI blocks logo there had been a glut of shiny plastic and metallic 3D shapes whizzing about the screen in television presentation. Once I had done this, and sent it to Rory I had done about all the still images I usefully could so I couldn’t delay doing the animated ident in Flash any longer. ![]()
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